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Established in 2006, Machines with Magnets hosts experimental music performances, sound and art exhibitions and installations, performance art, film and video screenings, cultural and community events, private events, and fundraisers. Past performances include The Body, Dan Deacon, Mirah, Etran de l'Aïr, Braveyoung, Lydia Lunch, Lightning Bolt, Brown Bird, Container, and Mdou Moctar.
Upcoming Events + Tickets
All ages unless otherwise noted, 21+ with valid ID to drink
a la orilla Opening Reception
Thursday, April 9, 2026
6:00 pm
to
9:00 pm
A la orilla gathers works by Maite Sosa Methol, an exploration of how textiles can tell stories through material investigation and knitting as a medium capable of holding memories, tensions, contradictions, and cultural codes, both personal and collective. Taking inspiration from Uruguay — a country named after a river — and its diverse landscapes and heritage, the work centers on her homeland's deep relationship to water. In her practice, water becomes material and metaphor: how it moves, erodes, reflects, and overflows. The knitted lace structures open into transparency, dyed silks ripple like tide, glass tears suspend gravity. Unlike typical textile exhibitions that highlight finished garments, a la orilla overturns the expectation of finality and refocuses on the process stage. Her creative process begins by extracting colors and forms from photographs of Uruguay's native flora, the Ceibo flower, the surface of the water, the beach as a place of relaxation and spirituality, including Iemanjá; and the protest-driven collective energy that comes from Uruguayan Carnival, Montevideo’s vivid celebrations, rituals, and traditions. These elements inform a series of color and pattern studies that are not illustrations of culture but atmospheres translated into structure, color, and rhythm. The resulting samples come together as a collection of “little universes.”
A la orilla gathers works by Maite Sosa Methol, an exploration of how textiles can tell stories through material investigation and knitting as a medium capable of holding memories, tensions, contradictions, and cultural codes, both personal and collective. Taking inspiration from Uruguay — a country named after a river — and its diverse landscapes and heritage, the work centers on her homeland's deep relationship to water. In her practice, water becomes material and metaphor: how it moves, erodes, reflects, and overflows. The knitted lace structures open into transparency, dyed silks ripple like tide, glass tears suspend gravity. Unlike typical textile exhibitions that highlight finished garments, a la orilla overturns the expectation of finality and refocuses on the process stage. Her creative process begins by extracting colors and forms from photographs of Uruguay's native flora, the Ceibo flower, the surface of the water, the beach as a place of relaxation and spirituality, including Iemanjá; and the protest-driven collective energy that comes from Uruguayan Carnival, Montevideo’s vivid celebrations, rituals, and traditions. These elements inform a series of color and pattern studies that are not illustrations of culture but atmospheres translated into structure, color, and rhythm. The resulting samples come together as a collection of “little universes.”
Formed in 2005, Loma Prieta have been an influential power in the world of post- hardcore for nearly two decades. In that time they have released five LPs and a slew of 7 inch records, EPs and splits, mostly on renowned hardcore label, Deathwish, Inc. Their sixth LP, “Last” will be released on June 30th 2023 via Deathwish, Inc. Loma Prieta have toured the U.S., Europe, Russia, Japan, Canada, and Mexico numerous times, all while members play in several other hardcore bands.
Boston-based glitch artist Allison Tanenhaus teams up with a multidisciplinary mix of outside-the-box creatives: Vidumami, Deb Step, J. Bagist, Ben K. Foley, Christine Greer, tvHat, Rudolf Lingens, and Sabato Visconti. Their collaborative installations are awash in vivid colors, media manipulations, optical illusions, AI experiments, repurposed materials… and cats.
Etran de L’Aïr (or “stars of the Aïr region”) welcomes you to Agadez, the capital city of Saharan rock. Joining MWM with baby:baby; and TBD. 7 pm doors, 8 pm music
Modern Sounds Presents Michael Attias, Brendan Carniaux, Jorrit Dijkstra, Max Goldman, Chris Hoffman, Kenneth Jimenez, Tony Malaby, Nate McBride, Francisco Mela, and Jeff Platz
babybaby_explores (the Reasons Why that Gum is Still on the Sidewalk), is a pseudo concept, garage-pop, art-rock project made of three fweaky BFFS from the ghost town clam chowder suburbia Warwick, RI. Utilizing obsolete and low-tech gear, the band makes simple structured danceable songs that pay homage to: musique concrète, European underground synth punk of the late 70’s through the 80's, anthem music, dada, and the Providence DIY & noise scene.
Shaw and his band will be performing the entire album in a multidisciplinary, multimedia performance full of surprises and special moments that will be unlike any release show you’ve seen. Opening the night will be a brief set from acclaimed and beloved singer/songwriter Chrissy Stewart.
Brooklyn-based label Puremagnetik brings their musical artists and collaborators to Machines with Magnets for an evening of tape-infused lofi, lowercase sound design, and glacial ambient soundscapes. Join us December 7th for three sets of electronic, ambient, and experimental music from the helmsman of 12k records Taylor Deupree, the tape music master BlankFor.ms and Micah Frank & Chet Doxas performing the music of medieval mystic Hildegard von Bingen.
Surging with the strength of the early US thrash and crossover scene, HIGH COMMAND projects a scathing display of scorched earth vocals and spiraling divebomb riffs, soaked in napalm leads, and percussive devastation. With competitive and fantasy-inspired lyrical scourge, the band drives their message forth with might and conviction.
