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Established in 2006, Machines with Magnets hosts experimental music performances, sound and art exhibitions and installations, performance art, film and video screenings, cultural and community events, private events, and fundraisers. Past performances include The Body, Dan Deacon, Mirah, Etran de l'Aïr, Braveyoung, Lydia Lunch, Lightning Bolt, Brown Bird, Container, and Mdou Moctar.
Upcoming Events + Tickets
All ages unless otherwise noted, 21+ with valid ID to drink
a la orilla Opening Reception
Thursday, April 9, 2026
6:00 pm
to
9:00 pm
A la orilla gathers works by Maite Sosa Methol, an exploration of how textiles can tell stories through material investigation and knitting as a medium capable of holding memories, tensions, contradictions, and cultural codes, both personal and collective. Taking inspiration from Uruguay — a country named after a river — and its diverse landscapes and heritage, the work centers on her homeland's deep relationship to water. In her practice, water becomes material and metaphor: how it moves, erodes, reflects, and overflows. The knitted lace structures open into transparency, dyed silks ripple like tide, glass tears suspend gravity. Unlike typical textile exhibitions that highlight finished garments, a la orilla overturns the expectation of finality and refocuses on the process stage. Her creative process begins by extracting colors and forms from photographs of Uruguay's native flora, the Ceibo flower, the surface of the water, the beach as a place of relaxation and spirituality, including Iemanjá; and the protest-driven collective energy that comes from Uruguayan Carnival, Montevideo’s vivid celebrations, rituals, and traditions. These elements inform a series of color and pattern studies that are not illustrations of culture but atmospheres translated into structure, color, and rhythm. The resulting samples come together as a collection of “little universes.”
A la orilla gathers works by Maite Sosa Methol, an exploration of how textiles can tell stories through material investigation and knitting as a medium capable of holding memories, tensions, contradictions, and cultural codes, both personal and collective. Taking inspiration from Uruguay — a country named after a river — and its diverse landscapes and heritage, the work centers on her homeland's deep relationship to water. In her practice, water becomes material and metaphor: how it moves, erodes, reflects, and overflows. The knitted lace structures open into transparency, dyed silks ripple like tide, glass tears suspend gravity. Unlike typical textile exhibitions that highlight finished garments, a la orilla overturns the expectation of finality and refocuses on the process stage. Her creative process begins by extracting colors and forms from photographs of Uruguay's native flora, the Ceibo flower, the surface of the water, the beach as a place of relaxation and spirituality, including Iemanjá; and the protest-driven collective energy that comes from Uruguayan Carnival, Montevideo’s vivid celebrations, rituals, and traditions. These elements inform a series of color and pattern studies that are not illustrations of culture but atmospheres translated into structure, color, and rhythm. The resulting samples come together as a collection of “little universes.”
Light as a Feather, Stiff as a Board Opening Reception
Thursday, April 30, 2026
6:00 pm
to
9:00 pm
“Light as a Feather ,Stiff as a Board” asks whether you are the invisible onlooker or an active participant. Eli Kaufman and Michael Gunn harness painting’s voyeuristic nature to complicate interpersonal relationships. The paintings exist at a threshold where our internal world is acted upon, through collaboration and intimacy. Tangled foliage, Twisting cables, A cast shadow—Reach, hold, repair, tend. How do we balance relying on one another while channeling the power of that which goes unseen? This exhibition shares its title with a game played by children at slumber parties. A levitation trick that evokes the unknown, a tension with the truth of its physics.The events that unfold are recalled, heightened and eventually brought back down to earth. The disillusion of our accounts is a natural conclusion. Through melodramatic lighting and intangible ghostly presence, tension between physicality and spirituality charges moments with desire—an attempt towards harmony.
Light as a Feather, Stiff as a Board Opening Reception
Special Event
Thursday, April 30, 2026
6:00 pm
9:00 pm
“Light as a Feather ,Stiff as a Board” asks whether you are the invisible onlooker or an active participant. Eli Kaufman and Michael Gunn harness painting’s voyeuristic nature to complicate interpersonal relationships. The paintings exist at a threshold where our internal world is acted upon, through collaboration and intimacy. Tangled foliage, Twisting cables, A cast shadow—Reach, hold, repair, tend. How do we balance relying on one another while channeling the power of that which goes unseen? This exhibition shares its title with a game played by children at slumber parties. A levitation trick that evokes the unknown, a tension with the truth of its physics.The events that unfold are recalled, heightened and eventually brought back down to earth. The disillusion of our accounts is a natural conclusion. Through melodramatic lighting and intangible ghostly presence, tension between physicality and spirituality charges moments with desire—an attempt towards harmony.
Light as a Feather, Stiff as a Board Closing Reception
Thursday, June 25, 2026
6:00 pm
to
9:00 pm
“Light as a Feather ,Stiff as a Board” asks whether you are the invisible onlooker or an active participant. Eli Kaufman and Michael Gunn harness painting’s voyeuristic nature to complicate interpersonal relationships. The paintings exist at a threshold where our internal world is acted upon, through collaboration and intimacy. Tangled foliage, Twisting cables, A cast shadow—Reach, hold, repair, tend. How do we balance relying on one another while channeling the power of that which goes unseen? This exhibition shares its title with a game played by children at slumber parties. A levitation trick that evokes the unknown, a tension with the truth of its physics.The events that unfold are recalled, heightened and eventually brought back down to earth. The disillusion of our accounts is a natural conclusion. Through melodramatic lighting and intangible ghostly presence, tension between physicality and spirituality charges moments with desire—an attempt towards harmony.
Light as a Feather, Stiff as a Board Closing Reception
Special Event
Thursday, June 25, 2026
6:00 pm
9:00 pm
“Light as a Feather ,Stiff as a Board” asks whether you are the invisible onlooker or an active participant. Eli Kaufman and Michael Gunn harness painting’s voyeuristic nature to complicate interpersonal relationships. The paintings exist at a threshold where our internal world is acted upon, through collaboration and intimacy. Tangled foliage, Twisting cables, A cast shadow—Reach, hold, repair, tend. How do we balance relying on one another while channeling the power of that which goes unseen? This exhibition shares its title with a game played by children at slumber parties. A levitation trick that evokes the unknown, a tension with the truth of its physics.The events that unfold are recalled, heightened and eventually brought back down to earth. The disillusion of our accounts is a natural conclusion. Through melodramatic lighting and intangible ghostly presence, tension between physicality and spirituality charges moments with desire—an attempt towards harmony.
