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Established in 2006, Machines with Magnets hosts experimental music performances, sound and art exhibitions and installations, performance art, film and video screenings, cultural and community events, private events, and fundraisers. Past performances include The Body, Dan Deacon, Mirah, Etran de l'Aïr, Braveyoung, Lydia Lunch, Lightning Bolt, Brown Bird, Container, and Mdou Moctar.
Upcoming Events + Tickets
All ages unless otherwise noted, 21+ with valid ID to drink
Orchestre Tout Puissant Marcel Duchamp with DakouDakou
Tuesday, July 1, 2025
8:00 pm
to
Founded in 2006 in Geneva, 90 years after Dada, by Vincent Bertholet (Hyperculte), the 12- piece Orchestre Tout Puissant Marcel Duchamp has released 5 albums on the highly influential Bongo Joe Records and played the European festival circuit for years. This will be their second attempt to conquer America – following the release of the latest album, Ventre Unique. The band’s name is an homage to some of the classic Congolese groups (Orchestre Tout Puissant Konono n°1, Orchestre Tout Puissant Polyrytmo, TPOK Jazz etc...) and to one of the greatest provocateurs of 20th century art. Their music mixes echoes of The Ex, Moondog, kraut rock, minimalism, high life, symphonic touches and punk outbursts - and yet, none of it is terribly relevant: OTPMD has managed to invent its own reality – or, if you prefer, a simulation. Their live performances are mesmerizing affairs with an almost ritualistic slant and arrangements so tight they seem to re-organize chaos itself.
Orchestre Tout Puissant Marcel Duchamp with DakouDakou
Music Show
Tuesday, July 1, 2025
8:00 pm
$15 adv / $20 day of
Founded in 2006 in Geneva, 90 years after Dada, by Vincent Bertholet (Hyperculte), the 12- piece Orchestre Tout Puissant Marcel Duchamp has released 5 albums on the highly influential Bongo Joe Records and played the European festival circuit for years. This will be their second attempt to conquer America – following the release of the latest album, Ventre Unique. The band’s name is an homage to some of the classic Congolese groups (Orchestre Tout Puissant Konono n°1, Orchestre Tout Puissant Polyrytmo, TPOK Jazz etc...) and to one of the greatest provocateurs of 20th century art. Their music mixes echoes of The Ex, Moondog, kraut rock, minimalism, high life, symphonic touches and punk outbursts - and yet, none of it is terribly relevant: OTPMD has managed to invent its own reality – or, if you prefer, a simulation. Their live performances are mesmerizing affairs with an almost ritualistic slant and arrangements so tight they seem to re-organize chaos itself.
This exhibition is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
This exhibition is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
DARKWAVENOISE. TROLLER (Austin), DONZI (Brooklyn/Miami), POWER MONSTER (Fierce, piercing waves of uncontrollable rage fisting the next prophets), and REVERSE ENGINEERING
(Grimey, phucking bass. Hard hitting sandpaper techno riding an enflamed bull-pegasus).
SIZE MATTERS (Reba + Underwood)
White dwarfs are the remnants of low-mass stars and, if they form a binary system with another star, they can cause large stellar explosions known as type Ia supernovae. One route by which this may happen involves a white dwarf drawing material off a main sequence or red giant star to form an accretion disc. However, when two white dwarfs orbit each other closely,[5] emission of gravitational waves causes the pair to spiral inward. When they finally merge, if their combined mass approaches or exceeds the Chandrasekhar limit, carbon fusion is ignited, raising the temperature. Since a white dwarf consists of degenerate matter, there is no safe equilibrium between thermal pressure and the weight of overlying layers of the star. Because of this, runaway fusion reactions rapidly heat up the interior of the combined star and spread, causing a supernova explosion.[5] In a matter of seconds, all of the white dwarf's mass is thrown into space.
Girls Rock! Rhode Island Presents: "Leaders of the Pack: Girl Groups of the 50s & 60s Cover Show." Girls Rock Camp and Ladies Rock Camp alums, GRR! volunteers, and other local musicians, will be playing covers of songs by Girl Groups from the 50s and 60s! $5-$20 sliding scale donation. This is a fundraiser show to benefit Girls Rock! Rhode Island's music empowerment programming! Featuring special guest June Millington. Considered one of the Godmothers of Women in Rock, June played guitar in the 70s all-female rock band, Fanny. She also played in the genre of women's music, and is co-founder of the Institute for the Musical Arts. Also performances by Girls Rock Camp and Ladies Rock Camp alums, GRR! volunteers, and other local musicians, including (in alphabetical order):
Bed Death, Bleeders of the Pack, Cramptown Mayors, DeeDee Brown, Emma Corbin, Hothead, Joan Wyand
Lauren Walker, Sianna Plavin, Skylar Batz, Super Group, with RedDawn spinning between acts and Reba emceeing!
Friday, the opening night and artist reception. All musicians and performers are invited to join the opening night of the event, which will feature performances by Unicorn Hard-On's Valerie Martino solo debut, Bellerophon's newest ep release, the screening of NOIA's latest music video, and a Dj performance by TBD j.
The Hurt Ensemble - heavy post rock, math jazz ethusiasts. Snowplows - dischordy post hardcore + amps. Creepers - san fran alt metal gaze, members of Deafheaven. Twin Foxes - punk grunge, shoegazi.
Psyched to Announce that Tashi Dorji is coming back to Machines with Marisa Anderson. Pitchforked named their split as one of the Best Experimental Albums of 2016. Tashi Dorji - A Bhutanese guitarist now residing in Asheville, NC, Tashi Dorji makes meticulously crafted sounds that conjure spirits, wrestle demons and tame wild beast. As beautiful as they are cerebral , his acoustic works are reminiscent of Derek Bailey`s free improvisations, flamenco and Fahey`s Americana. Marisa Anderson - Marisa Anderson’s guitar playing is fluid, emotional, dexterous and original. National Public Radio says Anderson’s playing “exposes and hides the mysteries of American music”. Pitchfork calls her recent record, ‘Mercury’, ”Brilliant” and Wire Magazine says, “Her sound has strength in restless variety…Anderson’s playing is heartfelt and utterly American, free from grandstanding and steeped in respect for the old tradition.”
JPA FALZONE & BRENDAN GLASSON
will be performing John Cage's "ASLSP (As SLow aS Possible)." ASLSP (As SLow aS Possible) is a musical piece by John Cage and the subject of one of the longest-lasting musical performances yet undertaken. It was originally written in 1987 for organ and is adapted from the earlier work ASLSP 1985; a typical performance of the piano version lasts 20 to 70 minutes. In 1985, Cage opted to omit the detail of exactly how slowly the piece should be played. ABOUT 1/4 VOLUME NOISE LOUNGE:
1/4 Volume noise lounge is a free 3 hour lounge session. Listen to the experimental soundscape hosted by that week's artist, chat, bring a book and read or sketch, do your homework, do some experimental research, google, snuggle, practice your astral projection skills, and check out the art in the gallery 'cuz we've got OPEN HOURS, baby---breath---AND grab yourself a bomb cocktail or two.
ART ROCK CITY.
You should see the meniscus on this teeming cup of radioactive sound. Oh--that snapping, crackling, racket? It's the geiger counter. +++Oneida+++
"a restlessly creative Brooklyn rock quintet" - New York Times " Brooklyn's finest (and most robustly prolific, extravagantly aliased, and relentlessly propulsive) art-rock band" - Village Voice +++Alec K. Redfearn and the Eyesores+++
You know these local heroes.
Laura Cetilia graduated with distinction from the School of Music at Indiana University and received her Master's degree in cello performance from Wichita State University. In addition to her solo work, she is a member of the electroacoustic ensemble Mem1 with partner Mark Cetilia, and performs avant-garde chamber music with violist Robin Streb in their duo Suna No Onna. Mark Cetilia is a sound / media artist working at the nexus of analog and digital technologies. Exploring the possibilities of generative systems in art, design, and sound practice, Cetilia’s work is an exercise in carefully controlled chaos. He is a member of the media art group Redux, recipients of a Creative Capital grant in Emerging Fields, and the electroacoustic ensemble Mem1, described by The Grove Dictionary of American Music as “a complex cybernetic entity” whose “evolving, custom-built systems are as important an aspect of the duo’s achievements as their ever-innovative sound.”
Immediately following 1/4 Volume Noise Lounge with Ed Osborn. LESLEY FLANIGAN is an experimental electronic musician inspired by the physicality of sound, she builds her own instruments using minimal electronics, microphones and speakers. Performing these instruments alongside traditional instrumentation that often includes her own voice, she creates a kind of physical electronic music that embraces both the transparency and residue of process — sculpting sound from a palette of noise and subtle imperfections. MARIA CHAVEZ is mainly known as an abstract turntablist, sound artist & DJ. Influenced by chance & improvisation in contemporary art, she has collaborated with Christian Marclay and the Whitney Museum of American Art, performed alongside Pauline Oliveros, Thurston Moore, Phill Niblock and worked with Merce Cunningham prior to his passing as a sound artist in residence with the DIA:Beacon Museum in Beacon, NY. With local support from Shawn Greenlee and Humanbeast.
