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Established in 2006, Machines with Magnets hosts experimental music performances, sound and art exhibitions and installations, performance art, film and video screenings, cultural and community events, private events, and fundraisers. Past performances include The Body, Dan Deacon, Mirah, Etran de l'Aïr, Braveyoung, Lydia Lunch, Lightning Bolt, Brown Bird, Container, and Mdou Moctar.
Upcoming Events + Tickets
All ages unless otherwise noted, 21+ with valid ID to drink
Play it Cool Vol. 3: Pre-Pride Party
Tuesday, June 17, 2025
7:00 pm
to
12:00 am
An iconic night with modern Asian American cocktails featuring RI Spirits and sounds by Wawoo!
Orchestre Tout Puissant Marcel Duchamp with DakouDakou
Tuesday, July 1, 2025
8:00 pm
to
Founded in 2006 in Geneva, 90 years after Dada, by Vincent Bertholet (Hyperculte), the 12- piece Orchestre Tout Puissant Marcel Duchamp has released 5 albums on the highly influential Bongo Joe Records and played the European festival circuit for years. This will be their second attempt to conquer America – following the release of the latest album, Ventre Unique. The band’s name is an homage to some of the classic Congolese groups (Orchestre Tout Puissant Konono n°1, Orchestre Tout Puissant Polyrytmo, TPOK Jazz etc...) and to one of the greatest provocateurs of 20th century art. Their music mixes echoes of The Ex, Moondog, kraut rock, minimalism, high life, symphonic touches and punk outbursts - and yet, none of it is terribly relevant: OTPMD has managed to invent its own reality – or, if you prefer, a simulation. Their live performances are mesmerizing affairs with an almost ritualistic slant and arrangements so tight they seem to re-organize chaos itself.
Orchestre Tout Puissant Marcel Duchamp with DakouDakou
Music Show
Tuesday, July 1, 2025
8:00 pm
$15 adv / $20 day of
Founded in 2006 in Geneva, 90 years after Dada, by Vincent Bertholet (Hyperculte), the 12- piece Orchestre Tout Puissant Marcel Duchamp has released 5 albums on the highly influential Bongo Joe Records and played the European festival circuit for years. This will be their second attempt to conquer America – following the release of the latest album, Ventre Unique. The band’s name is an homage to some of the classic Congolese groups (Orchestre Tout Puissant Konono n°1, Orchestre Tout Puissant Polyrytmo, TPOK Jazz etc...) and to one of the greatest provocateurs of 20th century art. Their music mixes echoes of The Ex, Moondog, kraut rock, minimalism, high life, symphonic touches and punk outbursts - and yet, none of it is terribly relevant: OTPMD has managed to invent its own reality – or, if you prefer, a simulation. Their live performances are mesmerizing affairs with an almost ritualistic slant and arrangements so tight they seem to re-organize chaos itself.
'Otherworld' is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
'Otherworld' is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
This exhibition is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
This exhibition is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
EVENT SERIES SHOWCASING LOCAL SYNTH FETISHISTS: Composing, synthesis, home recording... it can all be extremely isolating and lonely. You can see it on the faces of a lot of people in town if you look for it, a sort of haunted obsessed look.. spooky, really. You know they've just spent 19 consecutive hours without food or water with headphones on squinting into LCD screens turning data knobs, pushing sliders and watching youtube tutrials on how to use their multiband compressor plugin.
SCANT (NYC) - the greatest in contemporary American harsh noise. i don't even have to say his name do i? co-founder of new Thousands Of Dead Gods label/shop in nyc. Various releases via Chondritic Sound, Monorail Trespassing, etc. CLIMAX DENIAL (Milwaukee, WI) - self hating, paranoid, nihilist harsh noise. releases via Malignant Records, Hospital, Bacteria Field, etc. PETER J. WOODS (Milwaukee, WI) - theatrical and bizarre mix of noise, absurdist performance. releases via lurker bias, FTAM, etc. PLAGUES (Grand Rapids, MI) - Brandon Hill of Cloud Rat and Dropped Calls. absolute downer, depressive power electronics. infernal hails! With local support from... HIDE STACY (new project by Katy Mongeau).
LEA BERTUCCI (NYC)
"Lea Bertucci is a sound artist, musician and composer based in New York. After starting out on saxophone at the age of nine, she went on to learn classical music and jazz, until moving into more abstract forms in her late teens and experimenting with the amplification of her bass clarinet, effects and feedback. Her most recent work on NNA Tapes features tape collage plus extended technique on string instruments including viola and cello." With LE CREUSET (Cleveland), VRS (Los Angeles), and local support from Negation & V Sinclair.
From Philly... LXV: "David Sutton explores organic realms by means of arranging processed voices, sampling media fragments - and so on - to draw immersive and deep landscapes. His work deals with a certain kind of natural organic expressionism, and his tracks talk about esoterics, as well as nearby dystopian realms. His play with the idea of consciousness that exhibits a particular equilibrium between arcane design and modernity is very human, almost existential." GENE PICK: "tonality is swept out of sight in subtle and patient sonic labor. The artist uses data, digital failure, and feedback carefully selected and organized. Layers of analog synthesis are dismantled and rebuilt with masked electrical pulses."
Local support...
VALISE, NEGATION, WORTH, &
VOSP.
Tonight we have three acts from the northern lands bringing us some truly negative vibes. STERILE GARDEN (Portland, Maine): the solo project of Jacob DeRaadt, Basement Tapes labelhead, formerly based out of Denver, CO. a very bleak mix of tape manipulation, sound collage, and industrial noise at a high level of perfection. various releases via Monorail Trespassing, Mazurka Editions, etc. RARE STORMS (Portland, Maine):
a delicate blend of modular synth textures and field recording manipulation by Patrick Carey. first Providence appearance. TASKMASTER (Montreal): supreme harsh noise from Canada. The real deal. *NOT TO BE CONFUSED WITH DANI B's LOCAL PROJECT*
Local scum...
CLEAN and
PURISM (new project featuring E3 of Finished and the return of Annapurna).
MISSDICK VIBROCIS (Chicago): "a noise/performance art duo featuring crypto-femme demoness Forced Into Femininity and garbage-mouth seabird Lorene Bouboushian. By taking all cultural influences of recent tours and childhood (see: christian fundamentalism) under their wings and into the trash compactors known as their bodies, they seek to enlighten via confusion, noise, and rubbing their theatrical makeup on you."
i am terrified. local support... LINGUA IGNOTA, VAL MARTINO, GYNA BOOTLEG, &
AETHER JAG.
from NYC... die Reihe - good irish boy Jack Callahan is back to grace us with his decontructed absurdity. a true freak human, who knows what he will do? the man has vrious releases on fine labels such as anòmia and NNA tapes. Farewell My Concubine - longtime weird person Mark Iosifescu coming back to town with his lovely songs. also known for his work in Angels In America. oh boy! Ben Kudler - aka 'luminous all kudler' provides alienating music sound of computer. heartwrenching releases via Salon, Bánh Mì Verlag, and Mistake By The Lake. With local support from The Charles Allin Trio - Jeremy Harris and Co. will bring us some... jazz? pure class and elegance provided throughout the evening by DJ Valise.
STREET SECTS (Austin TX)
"In the regularly rotating arena of heavy music, where metal tends to dominate more often than not, Street Sects stand out as being uniquely adversarial and should not to be overlooked. Their new record, End Position, emerges at an appropriate time more than ever as a much needed silver lining to the many shapes of punk that never came." -New Noise Magazine. With local support from:
KURT SNELL, POWER MONSTER, STRAP-ON RITUAL, &
with DJ TJ MAXX (Eric Grieshaber) starting at 9:00pm.
HOLY SHIT SHIT&SHINE HAD TO CANCEL THE GIG BECAUSE HE IS LITERALLY DYING I HOPE HE IS OKAY BUT WHO GIVES A SHIT RIGHT!? WE ARE STILL DOING A GIG PAL IT'S OK! WE GOT ... CONTAINER, FINISHED, WORLD WAR, DJ MANDY AND WE'VE GOT EIGHT SEAS TIKI BAR POP UP!!! I AM READY TO PARTY FAM!!!!!! 🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹🍹
Machines with Magnets is proud to welcome back: ARRINGTON DE DIONYSO!
"Arrington de Dionyso is an Olympia, Washington-based artist and experimental musician. He was a member of Old Time Relijun since the 1990s. After Old Time Relijiun dissolved, he formed a new band based on Indonesian music called Malaikat dan Singa. de Dionyso directed "Reak: Trance Music and Possession in West Java", a documentary film about the music of an Indonesian trance ceremony; the film was shown by the Olympia Film Society in May, 2016. He is also an organizer of the Olympia Experimental Music Festival."
https://arrington.bandcamp.com/ With SELECTOR DUB NARCOTIC and ALEC K REDFEARN & THE EYESORES.
