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Established in 2006, Machines with Magnets hosts experimental music performances, sound and art exhibitions and installations, performance art, film and video screenings, cultural and community events, private events, and fundraisers. Past performances include The Body, Dan Deacon, Mirah, Etran de l'Aïr, Braveyoung, Lydia Lunch, Lightning Bolt, Brown Bird, Container, and Mdou Moctar.
Upcoming Events + Tickets
All ages unless otherwise noted, 21+ with valid ID to drink
Play it Cool Vol. 3: Pre-Pride Party
Tuesday, June 17, 2025
7:00 pm
to
12:00 am
An iconic night with modern Asian American cocktails featuring RI Spirits and sounds by Wawoo!
Orchestre Tout Puissant Marcel Duchamp with DakouDakou
Tuesday, July 1, 2025
8:00 pm
to
Founded in 2006 in Geneva, 90 years after Dada, by Vincent Bertholet (Hyperculte), the 12- piece Orchestre Tout Puissant Marcel Duchamp has released 5 albums on the highly influential Bongo Joe Records and played the European festival circuit for years. This will be their second attempt to conquer America – following the release of the latest album, Ventre Unique. The band’s name is an homage to some of the classic Congolese groups (Orchestre Tout Puissant Konono n°1, Orchestre Tout Puissant Polyrytmo, TPOK Jazz etc...) and to one of the greatest provocateurs of 20th century art. Their music mixes echoes of The Ex, Moondog, kraut rock, minimalism, high life, symphonic touches and punk outbursts - and yet, none of it is terribly relevant: OTPMD has managed to invent its own reality – or, if you prefer, a simulation. Their live performances are mesmerizing affairs with an almost ritualistic slant and arrangements so tight they seem to re-organize chaos itself.
Orchestre Tout Puissant Marcel Duchamp with DakouDakou
Music Show
Tuesday, July 1, 2025
8:00 pm
$15 adv / $20 day of
Founded in 2006 in Geneva, 90 years after Dada, by Vincent Bertholet (Hyperculte), the 12- piece Orchestre Tout Puissant Marcel Duchamp has released 5 albums on the highly influential Bongo Joe Records and played the European festival circuit for years. This will be their second attempt to conquer America – following the release of the latest album, Ventre Unique. The band’s name is an homage to some of the classic Congolese groups (Orchestre Tout Puissant Konono n°1, Orchestre Tout Puissant Polyrytmo, TPOK Jazz etc...) and to one of the greatest provocateurs of 20th century art. Their music mixes echoes of The Ex, Moondog, kraut rock, minimalism, high life, symphonic touches and punk outbursts - and yet, none of it is terribly relevant: OTPMD has managed to invent its own reality – or, if you prefer, a simulation. Their live performances are mesmerizing affairs with an almost ritualistic slant and arrangements so tight they seem to re-organize chaos itself.
'Otherworld' is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
'Otherworld' is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
This exhibition is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
This exhibition is a love letter to the ways we create ourselves and each other, again and again, across thresholds both visible and unseen. Eli Kauffman and J Rowen O’Dwyer bring together vivid, psychologically charged paintings that explore the threshold between the physical and the mythic, the home and the holy. Their work charts the sacred rituals of queer life — from moments of pleasure to acts of care, devotion, and transformation. The home becomes a site of alchemy, the body a threshold, and queer experiences a mirror and a myth in constant renewal. The outside world serves as a mirror, a set on which to explore new versions of ourselves, and fill unexpected roles. Images drawn from play, intimacy, domesticity, and community shift between documentation and dream, honoring both the rawness and the magic of trans and queer existence. Otherworld refers to myths and realms in legends, but also to the term “Otherworldly” describing the uncanny nature of otherness, leaving the door open to new realms, for those considered outcast.
Xeno & Oaklander are a minimal electronics duo (Liz Wendelbo and Sean McBride of Martial Canterel) based in Brooklyn, New York. They have been deeply involved in the analog synth community since 2004 (the release of their debut Vigils LP on Xanten), and have helped promote and inspire the revival of synth wave in the US and throughout the world through their extensive touring and prolific output.
